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| Poetry | |
| Michael Collins | Ghost |
| Refugees | |
| Federico Garcia Lorca, trans. by R. Campo | The Poet Speaks by Telephone to His Beloved |
| Carrie Etter | Gardens |
| I Bear Your Ashes | |
| Fred Marchant | The Glass Blower's Apprentice |
| Winter Range | |
| William Kistler | Bridge of the City |
| Alison Woods | American Folk Art: The Wife Of A Man Who Was Lynched |
| Colette Inez | Children's Hospital, Hendaye, France |
| Jessica Goodheart | Stick Your Head in the Copier |
| Afterall | |
| Sabra Loomis | Mary Hoban's Garden |
| Thom Ward | The Revisionist at Work |
| Allison Hunter | Western Pleasure |
| The Hybridizer | |
| Meg Lindsay | Watching the Wall Hangings in the Aldrich Museum of Contemporary Art |
| Kurt Leland | Processions |
| Eric E. Hyett | Garden |
| Color Theory | |
| Hummingbirds | |
| Sharon Kraus | How Miracles Work |
| The Admonishment | |
| Irfan Malik | Two Poems |
| Eugenio de Andrade, trans. by A. Levitin | The Dangers of Summer |
| Lines of Winter | |
| Voices | |
| Fiama Hasse Pais Brandao, trans. by A. Levitin | I Sing of Rain, of Earth, of Worms |
| Epistle to a Pergola Covered in Honeysuckle | |
| Epistle for a Bird Always Singing in the Oleander, in Front of the House, at Sunset | |
| Egito Goncalves, trans. by A. Levitin | Untitled from Love Letter: Untitled |
| Amsterdam | |
| Herberto Helder, trans. by A. Levitin | from Multiple Elegy-III |
| Bicycle | |
| Fiction | |
| Jhumpa Lahiri | The Key |
| Sean K. Henry | Rosie's Recruit |
1998